Act like a man : challenging masculinities in American drama
(eBook)

Book Cover
Average Rating
Published
Ann Arbor : University of Michigan Press, [1995].
Format
eBook
ISBN
978-0-472-06572-1, 0-472-06572-1, 9780472904204, 472904205
Physical Desc
1 online resource (xi, 373 pages) : illustrations
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Language
English

Notes

Bibliography
Includes bibliographical references (pages 303-349) and index.
Description
In the first comprehensive study of plays written for male characters only, Robert Vorlicky offers a new theory that links cultural codes governing gender and the conventions determining dramatic form. Act Like a Man looks at a range of plays, including those by O'Neill, Albee, Mamet, Baraka, and Rabe as well as new works by Philip Kan Gotanda, Alonzo Lamont, and Robin Swados, to examine how dialogue within these works reflects the social codes of male behavior and inhibits individualization among men. Plays in which women are absent are often characterized by the location of a male "other"a female presence who distances himself from the dominant, impersonal masculine ethos and thereby becomes a facilitator of personal communication. The potential authority of this figure is so powerful that its presence becomes the primary determinant of the quality of men's interaction and of the range of male subjectivities possible. This formulation becomes the basis of an alternative theory of American dramatic construction, one that challenges traditional dramaturgical notions of realism.
Reproduction
Electronic text and image data.,Ann Arbor, Mich. :,University of Michigan, MichiganPublishing.,2023.,EPUB file

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Citations

APA Citation, 7th Edition (style guide)

Vorlicky, R. (1995). Act like a man: challenging masculinities in American drama . University of Michigan Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Vorlicky, Robert, 1950-. 1995. Act Like a Man: Challenging Masculinities in American Drama. University of Michigan Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Vorlicky, Robert, 1950-. Act Like a Man: Challenging Masculinities in American Drama University of Michigan Press, 1995.

MLA Citation, 9th Edition (style guide)

Vorlicky, Robert. Act Like a Man: Challenging Masculinities in American Drama University of Michigan Press, 1995.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID
a5b81bb0-48ea-77f3-fa0a-e2e10672c3ee-eng
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Grouped Work IDa5b81bb0-48ea-77f3-fa0a-e2e10672c3ee-eng
Full titleact like a man challenging masculinities in american drama
Authorvorlicky robert
Grouping Categorybook
Last Update2023-12-05 17:10:59PM
Last Indexed2024-05-23 03:00:48AM

Book Cover Information

Image Sourcesyndetics
First LoadedDec 7, 2023
Last UsedMay 19, 2024

Marc Record

First DetectedDec 05, 2023 05:11:02 PM
Last File Modification TimeDec 05, 2023 05:11:02 PM

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5050 |a Introduction : Gender, structure, and dialogue -- 1. The American masculine ethos, male mythologies, and absent women -- 2. Silence, violence, and the drama of abuse -- 3. Liberation in confinement -- 4. Realizing freedom : risk, responsibility, and individualization -- Epilogue : Beyond power plays : men, sexism, feminism, and representation.
520 |a In the first comprehensive study of plays written for male characters only, Robert Vorlicky offers a new theory that links cultural codes governing gender and the conventions determining dramatic form. Act Like a Man looks at a range of plays, including those by O'Neill, Albee, Mamet, Baraka, and Rabe as well as new works by Philip Kan Gotanda, Alonzo Lamont, and Robin Swados, to examine how dialogue within these works reflects the social codes of male behavior and inhibits individualization among men. Plays in which women are absent are often characterized by the location of a male "other"a female presence who distances himself from the dominant, impersonal masculine ethos and thereby becomes a facilitator of personal communication. The potential authority of this figure is so powerful that its presence becomes the primary determinant of the quality of men's interaction and of the range of male subjectivities possible. This formulation becomes the basis of an alternative theory of American dramatic construction, one that challenges traditional dramaturgical notions of realism.
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650 0|a American drama|y 20th century|x History and criticism.
650 0|a Masculinity in literature.
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650 0|a Sex role in literature.
650 0|a Men in literature.
650 7|a Masculinities|2 homoit
650 7|a Performance art|2 homoit
650 7|a Men|2 homoit
650 7|a Gender roles|2 homoit
650 7|a Role behavior|2 homoit
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